The Machine Inside

Let’s take a stroll through the Ontario Science Centre’s current special exhibit: Biomechanics – The Machine Inside!

A touring exhibition developed by the Field Museum and Denver Museum of Nature & Science, this is a really fun exhibit exploring all kinds of aspects of biomechanics. (But get those garbage cans away from the entrance wall, OSC, that’s terrible show and everyone wants to take pictures in front of the cheetah!)

We start off in ‘Built to Survive’, and a section on the materials and shapes that organisms have evolved for different purposes. A couple of things I liked right away: the use of both living and extinct organisms, including animals AND plants, and the abundance of real specimens throughout the exhibit. Here we get to learn why round shapes are a recurring theme.

Next up, pipes and pumps! We get to try our hand at pumping blood all the way up to the top of this sitting giraffe’s head. It’s surprisingly difficult!

And last in this section, insulation and radiators, including this delightfully creepy deer straight out of one of my old physics textbooks, which used to have problem sets that read along the lines of ‘A fully loaded penguin sled is travelling at 2 m/s…’. But I kid – it’s a nice way of visualizing the square-cube law.

Right next to the deer is an endlessly entertaining thermal camera screen where you can see your hot and cold spots. Fun things to compare: your friends with cold cold hands, your own overly hot face against everyone else’s, etc. etc. Also fun: how rad people wearing glasses look.

The next major theme we get to explore is ‘moving around’, focusing on locomotion and feeding adaptations. There are some classic examples here, like how different bird wing shapes are adapted for different flight styles and needs.

And we also get to have fun flinging fish faces around! This is the sling-jaw wrasse, and it’s a cool example of how the bones in fish skulls work together to allow many kinds of fish to protrude their jaws. This area also has lots of great slow-motion videos to help us see weird and unusual movements, and overall this section has the best ratio of hands-on interactive stuff to specimens and static displays in the whole exhibit.

A final section of the exhibit covers the biomechanics of sensing your environment, a cool part of biomechanics that’s easy to gloss over in favour of things like biting and flying but is just as important. So here we get to learn about bat echolocation, magnetic sensing in sea turtles, and how eyes evolved over and over again.

And this is a great spot for me to segue into one of my favourite parts of this whole exhibit, the incorporation of biomimicry throughout! How do morphological adaptations inform the design of human technology? I thought this example of a bat-inspired cane for people with low vision was really interesting – the cane sends out ultrasound which bounces back and make it vibrate, giving more information to the person using it compared to traditional canes. Not sure if this is widely in use, but seems interesting!

Another cool biomimicry example: the bumps on humpback whale fins are inspiring better designs for wind turbines and airplane wings, because it turns out they help increase the angle of attack without stalling, and enhance lift. Neato stuff.


This is a cool exhibit that was a good fit for the interactives-heavy Ontario Science Centre, and seemed to be keeping the attention of visitors big and small when we visited on a Saturday a few weeks ago. (It certainly kept a group of palaeontologists busy for several hours!) While the first and last sections could use a few more hands-on interactives compared to the excellent middle section on feeding and locomotion, that feels like a pretty minor complaint considering the variety of ways information is being communicated throughout the exhibit. One other thing that would have been cool to see would have been the biomechanics of animal combat, but I’m obviously biased in that direction. All in all, super fun and definitely worth checking out if it comes to your town! Biomechanics: The Machine Inside is at the Ontario Science Centre until May 7th.

Life on the Edge

Storytime! When I was an undergraduate student at Dalhousie University, BACK IN THE DAY, I spent my summers making slides of rocks brought up by drills from offshore Nova Scotia and identifying and counting coccoliths (or, nannofossils). One of my supervisors for these projects was Dave Scott, a micropalaeontologist who also taught me invertebrate palaeontology at Dal. One day, unprompted, Dave offered up the fascinating personal tidbit that he hated seals, and when pressed for some kind of explanation for hating such a universally beloved animal, explained that it had to do with his time spent on Sable Island many years ago. Sable Island is a ridiculous, giant sand dune that is, hilariously, part of Halifax despite being located 300 km away in the Atlantic Ocean. It’s inhabited by feral horses, about 5 human beings, and seals, and that’s about it. Why did Dave hate the seals on Sable Island? “One hissed at me.”

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Evolution at the Zoo

Zoos, aquaria, and natural history museums all showcase amazing biological diversity in their exhibits, but after years of visiting both kinds of institutions across the globe, I’ve noticed that zoos emphasize different messages than natural history museums. Natural history museums are great at telling the story of evolution, and explaining the science behind evolutionary biology, through exhibits based on palaeontology and biodiversity. Museums do a great job of explaining the role of extinction in shaping diversity in the past, and modern exhibit renewals are often doing a great job of linking changes in Earth’s history to the changes we see around us today.


Evolution on exhibit at (clockwise from top left): the Field Museum, Utah Museum of Natural History, Perot Museum of Nature and Science, and the American Museum of Natural History.

Zoos and aquaria, on the other hand, tend to emphasize conservation as their primary message. Take a look at the information placards at zoos or aquaria and you’ll typically see information like the species name, geographic range, a couple of comments about diet or behaviour, and its conservation status, and many zoos will group animals that live in similar ecosystems together (think Amazonian rainforest, the poles, etc).


The Maui Ocean Center does a great job of grouping animals by ecosystems – it focuses on the sea life around Hawaii, and takes you through ever deeper zones of the coral reef and their changing fauna, out to the pelagic zone with sharks. (Also a bonus: a great exhibit on marine mammals which doesn’t involve keeping any in captivity!)

How and why did evolution and conservation become separated in zoos and museums? I don’t have an answer for that, but I’d love to see more evolutionary stories making their way into zoos. The evolutionary history of species, subspecies, and populations is increasingly important for identifying which populations need the most protection, and for making the best plans for successful conservation of species. We’re learning that not all populations are interchangeable even within one species, and framing species conservation priorities in terms of the loss of phylogenetic diversity can help motivate the protection of endangered populations.


A nod to evolutionary storytelling at the Toronto Zoo – African rift lake cichlids are a classic example of an adaptive radiation.

An example of an evolution-based mindset that I find compelling: Let’s say that we managed to lose the platypus and the four species of echidna. That’s five species, which isn’t very many species to lose. The platypus and echidnas all belong to a clade called Monotremata, which, along with their extinct relatives like Pseudotribos and Shuotherium, first diverged from the lineage leading to all other living mammals more than 220 million years ago. Living monotremes are really far away from placental mammals and marsupials on the evolutionary tree – placental mammals and marsupials are each others closest relatives (as clade Theria), but a whole bunch of other clades sit between Theria and the monotremes, all of them extinct: the extremely successful multituberculates, the dryolestoids and eutriconodonts, things like Fruitafossor and Volaticotherium. To lose just five species would be to lose a huge chunk of phylogenetic diversity and a deep branch of the tree of life. To lose any twig of the tree is heartbreaking; even more so to lose old giant branches.


On this evolutionary tree, humans, as placental mammals, are in the red branches, marsupials like kangaroos are in the blue branches, and monotremes are way down the tree on the green branch. No species from the yellow branches in between survive today. (From Luo 2007, Transformation and diversification in early mammal evolution, Nature 450.)

This isn’t a story that gets told very often, partly because we’re still learning so much about the evolution of mammals, partly because not many zoos have a platypus, and partly because it can require a lot of background information about evolutionary thinking that zoos might not have the space to teach. But there are many stories like this one, and I think these are compelling narratives for visitors to encounter at zoos. Zoos do a great job of explaining the ecological interconnectedness of animals, why not their evolutionary interconnectedness?

Here’s another example of an evolutionary story that zoos are well equipped to discuss, and I’ll use an example here because there is a GREAT example at the San Diego Zoo. Species loss and defaunation is a critical issue we’re currently facing, but what constitutes a ‘natural’ ecosystem, anyway? Even prior to European colonization, North America had a surprisingly depauperate fauna missing most of the megafauna that had existed up until about 10 000 years ago. Ten thousand years isn’t a very long time for animals to adapt to such a dramatic shift in their ecosystem, and so around us we see evidence for evolutionary ghosts. The incredible speed that pronghorns can achieve makes a bit more sense when you realize that North America used to have a cheetah. The weird, giant, and typically uneaten fruits of trees like the Osage orange, pawpaw, and honey locust make a bit more sense if you picture mammoths, gomphotheres, and ground sloths in the picture. And that brings us to the San Diego Zoo:


When you walk around to the back of the San Diego Zoo where the elephants hang out, you enter one of the best zoo exhibits around: Elephant Odyssey. This area links the fossils of the La Brea tar pits with the animals still living in southern California today. (There’s even a tar pit that ‘drains’ to reveal fossils, which sadly I did not photograph way back in 2009 when I visited.) This area has animals found in southern California today, like the California condor (itself an amazing ambassador for extinction and conservation) and pronghorn, living relatives of extinct species from the tar pits, like tapirs, camels, and jaguars, and life-size statues of extinct species like ground sloths and mammoths.


It’s an amazing exhibit that weaves together evolution, conservation, and biodiversity, all while getting to hang out with cool animals in a great setting. Bringing all of these large mammals together into one area highlights the diversity that has been lost from North America already, and hopefully inspires people to conserve the species that still call southern California home (like the condor! And don’t forget cougars, slowly making a return!).



So, those are two approaches to evolution at the zoo that I’ve come up with: using the interconnectedness of species through their evolutionary histories, and using stories of extinction, to emphasize conservation priorities. Have you got any examples of zoos or aquaria that incorporate evolution into their interpretive materials? I’d love to hear about them, so please share them below in the comments!

This post was inspired by conversations at a discussion group I attended at the University of Toronto last week, where we talked about the role of natural history museums, zoos, and aquaria in conservation biology. There’s definitely lots to think about on this topic and I’m sure it’s one I’ll revisit in the future!

Rhinos and dinos and whales, oh my!

A few weeks ago I took a road trip down to visit the smaller Arbour sibling who is currently based at the University of Washington, and we made a point of visiting the Burke Museum on campus. The museum is about to be on the move, so in a couple of years this post will be out of date – despite it getting some shiny new digs in the near future, it’s still a pretty impressive museum for a university campus, and it has some unique treasures! Let’s get to it!

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Heroes in a half shell

In my continued quest to betray my dinosaurian research roots, I went to the American Museum of Natural History in New York to look at turtles! And what turtles they were – this is the skull of Ninjemys (the ninja turtle!), a giant meiolaniid turtle from Australia. Meiolaniids are the best turtles you’ve never heard of and it’s a crying shame that they don’t feature more prominently in prehistoric popular media.

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Gobi Desert Diaries: All creatures great and small, part 4.

Although you wouldn’t necessarily know it from this picture, the Bactrian Camel Camelus bactrianusis is the two-humped camel found in the deserts and steppes of Mongolia. When I was growing up, the way to remember which camel was which was to turn the B of Bactrian and D of Dromedary on their sides – Bactrians have two humps, Dromedaries have one. Last winter was very harsh in Mongolia, and millions of livestock died – I wonder if this is the reason that so many camels had flopped-over humps this year.
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